This body of work takes shape through experimental darkroom practices, where film rolls are getting mixed, layered and re-exposed while normal chemical processes are disrupted deliberately.
The photographic series revolves around the question “What is the echo of a memory?” But doesn’t seek to provide an answer. On the contrary, it suggests an invitation to self-reflection.
Through the medium of photography, the work investigates the notion of decay – from memory to dissolution. The image becomes a site of transformation and impermanence, where a lived reality shifts into something abstract and fragmented, detached from its origin, suggesting a moment that may never truly existed.
